Filipino Holiday Collection Fashion Week: Sports, parachutes and cowboys

  First on stage was Mrs. Cua, the word "sport" took literally. Earthy casual and isolated from one piece of borrowed necklines and silhouettes in the Cabinet of the athlete.

The use of two different colors for the front and back for some of the clothes was a detail that gives a refreshing character.

The stretch fabric clings throughout the collection uses the curves of the models like a second skin. Belt-like material gives the impression of an athlete envelope wrapped around the waist by the sleeves.

The network of nodes (which is remarkably similar to China Stadium Bird's Nest) did little to all solid, but the sequined jacket has a touch of sophistication that could demonstrably clothes easily be worn from day one has been in the night, the right accessories .

Clear sunglasses, back combed rolls, ankle-high boots and techno music filled the vision of Mrs. Cua.

Meanwhile, Sassa Jimenez turn heads work by listening to extreme sports jazzed interpretations of pants, jackets pressed and flowy dresses.

Fine-lined bodice and sleeves made of leather, canvas and thick wool knit in metallic colors played clean-proof, solid construction, rather than ornamentation.

Ray's fat that came from the center of small square that a simulated parachute harness of relapse in the collection.

The outfits were decorated with gold sandals and gladiators paired black pants with a shiny buckle.

The jump transition of colors available to the public a visual summary of the slow descent to the landing - coupled with airy music that gives the impression of flying.

The set with a beautiful metallic gray with a very ruffled skirts ended inflated (almost like a parachute) with a puller.

Finally, the designer Yvonne Quisumbing spicy pants and pencil skirts with unstructured pieces that lined the daring cultivated.

Layer, usually simple, fabric together with strings, sequins and lace held looked more like pieces of nonsense that a real dress. (But strangely, it works).

Textiles - especially in bare, red and black - was flowing over the skin. Other pieces are beautifully appointed with sophisticated, but fun necklines improved.

But the horn-shaped headdresses were bizarre, and so were the half-pants short half numbers mixed up with the sense of balance.

The choice of fabric and detail of the guys, he was an amazing piece with the exception of the basic awkwardness of the guys in shorts instead of pants worn money. - Francesca Mary C. Ramos